We started as collectors of what inspired us - powerful iconography. And the progression to exhibiting, trading, presenting and consulting was a nutural step - as was fusing modern art and design with a glorious past.

We hope you will join with us in appreciation of inspired antiques, decor and art

Jewellery - Nacklaces



malachite nacklace with blue sapphire caps



Peridot nacklace with saphire caps
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Khmer Stone - Lintel



Khmer Stone - Lintel

This is not an original piece removed from a temple - although the style is that of Angkor Wat (1110 - 1180).It was probably the result of a collaboration of restoration craftsmen around the Thai Cambodian border. Age unknown.
An extraordinary accomplishment of craftsmanship. Wonderful detail, deep carving - one piece of stone carved with tremendous skill and attention to form. Classical depiction of Vishnu and a giant Naga with numerous deities.

Width: 143 cm
Height (without stand): 95 cm
Height (with stand): 125 cm
Thickness: 29 cm.
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Khmer Stone Figures



Dancing Hevajara – Bayon

A very large and exciting Hevajara, with 16 arms and nine heads. In Tantric Buddhism, Hevajara has the rank of a Buddha and is traditionally depicted dancing over a demon. Mounted on a museum quality stand.

Width : 90 cm
Height (with stand) : 148 cm
Thickness : 32 cm



Large four armed male torso – Prei Kmeng

This is an extraordinary piece (probably Vishnu) is of a scale that is normally reserved for museums.
The shoulder area has been professionally repaired from damage, which probably occurred through the piece falling or having the head removed.
It features a wonderful patina and spectacular patterns in the stone.
This is a piece which accurately depicts the Khmer ideal of the perfect male form – muscular, broad shouldered and with a generous and shapely girth – the physique of a god. Mounted on a museum quality stand.

Width : 69 cm
Height (without stand) : 107 cm
Height (with stand) : 124 cm
Thickness : 36 cm
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Thai Bronze



Totsakan

This early Bangkok period bronze demon figure is modeled similarly to the ten headed Totsakan demon king who abducts Sita, the wife of Rama, in the epic Ramakien - also known as Ravana in the Ramayana.
A dramatic piece of bronze sculpture. Damaged/missing right forearm and top part of head piece - but otherwise in good original condition for such a piece, with minor damage and repairs, consistent with its age and the exposure to the elements.
A dominant 68 cm in height without the large museum quality bronze finished stand, which itself stands 17cm in height.
This piece commands attention and deserves to be displayed prominently.

Size : 50cmx68cm
Aged : 200 + yrs
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Khmer Bronze


Elephant Bell

Size : 21cm x 17cm
Aged : 13th - 15th C.


Don Song Bell

Size : 16cmx26.5cm
Aged : 13th - 15th C.


Palanquin Set

Size : 10cmx35cm
Aged : 13th - 15th C.


Small Dagger

Size : 14.5cmx5.5cm
Aged : 13th to 15th C.
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Chofa, Thailand



Chofa - Thailand

Very nice mid sized Chofa—complete with small bell. A Chofa is the finial on either end of the roof peaks of Thai Buddhist temples. Shaped like a stylized bird’s head, it symbolizes either Garuda, the mount of the god Vishnu , or Hamas, the mount of the god Brahma.
Original condition - usual degradation due to exposure to elements — some minor repairs. A very nice decorator piece.

Size : 24cmx124cm
Aged : 100 yrs
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Buddha Ushnisha and Foot Print



Buddha Ushnisha, Thailand

This wood and stucco Ushnisha is from an Ayutthaya Buddha sculpture.
In Buddhist iconography, a protuberance or top knot on the head of the Buddha is one of the marks of an enlightened being. This piece will make an extraordinary decorator item—standing 50 cm without the stand.
Very rare. Mounted on a plain black stand— making the item 50 cm in height.

Size : 15cmx50cm
Aged : 19th C



Buddha foot print

Extraordinary piece of stone, superb work and finish – a monumental piece of Khmer art. Excellent carving – spectacular patina.
A profound and awe inspiring piece of art.

Width : 50 cm
Height 151 cm
Thickness : 13 cm
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Khmer Monument and Lintel


Visnuite Monument - Bayon

An extremely rare and extraordinary example of the finest, most delicate and precise stone work possible.
This expression of “awe inspiring” is truly an appropriate term for this piece. It features hundreds of tiny Vishnu figures delicately carved on all four sides.
It is mounted on a tall museum quality bronze gun metal finished stand. Incredible.

Width : 32 cm
Height (without stand) : 90 cm
Height (with stand) : 149 cm
Thickness : 32 cm



Bayon Khmer Sandstone Lintel

This frieze features Hevajra a protective god in Tantric Buddhism, featuring eight heads, sixteen arms and two or four legs. Usually seen dancing, crushing a demon with his right leg. And the monkey a more common icon in Khmer stone art.
This piece is deeply carved and demonstrates a deep patina. Friezes of this size are usually more thinly carved and simple in design with less emphasis on figures.
This is an impressive and rare piece—that will dominate the space in which it occupies.

Size : 59cmx39cm
Aged : 13th - 15thC
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Thai Buddha Images



Rattanakosin Bronze Sitting Buddha

A rare blend of Rattanakosin and Ayutthaya styles - when the Ayutthaya style still influenced the early Bangkok period.
The hand gesture of the Buddha "subduing Mara", also known as "calling the earth to witness" and indicating the moment of enlightenment. In this bhumisparsamudra the right hand is resting on the right knee with fingers pointing downward while the left hand lies in the lap, palm facing upward. The Buddha makes this gesture while seated in a half-lotus position.
Wonderful condition—beautiful face, refined expression, excellent detail - mother of pearl eye inserts and original lacquer, gilding and mirror inserts compliment this exceptional piece.
A very fine, rare and beautiful piece - a collectors item.

Size : 40cmx66cm
Age : 19th C
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Khmer Buddha Images


Gold Buddha

Exquisite post Khmer Cambodian gold Buddha sits on an in-scripted silver three-tiered lotus throne— and features attached elongated ears, conical Ushnisha and very finely worked detail. It demonstrates some Thai Ayutthaya influence common after the fall of the Khmer empire in the 15th Century.
It is made of gold sheet and silver—and filled with resin. No obvious repairs - the left hand side of the face has a small crease.
In style, appearance and condition—the piece is consistent with items produced from the mid 1700’s through to the late 1800’s.
This is a rare and extraordinary piece and much less common than those made of only silver. Mounted on a bronze finished stand— encased in a glass cube.

Size : 14cmx19cm
Aged : 18 - 19th C



Naga Protected Buddha, Bayon

This exquisite wooden Naga protected Buddha is in the Khmer Angkor/Bayon style.
Standing an imposing 48" (120cm) and made of solid hard wood it radiates both equanimity and muscular Khmer features.
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Burmese Buddha Images


Dry Lacquer Buddha

The dry lacquer technique produced finely modelled hollow figures that were both strong and light in weight. In the dry lacquer process was widely used in Burma from the 1700s through the early 1900s, the image was shaped from clay, then wrapped in a lacquer-soaked cloth. A pliable mixture of sawdust, lacquer and glue was spread over the cloth and the features were further defined with a small knife. After the outside layer hardened, the clay core was washed away and a high-grade reddish brown lacquer was applied, dried, polished and gilded.
This enormous Pagan-style head, which is softened by Ava influences, most likely was covered with gold leaf except for the hair. The hair is in a style called durian spikes because it resembles durian fruit. Worn spots on the face where black shows through the reddish brown lacquer give the piece a special appeal.
Whilst the piece appears to be authentically produced—it is not very old.
Standing 98 cm in height when on its display stand - it is a massive, dominating and most impressive piece and needs a lot of space to be properly displayed.

Size : 40cmx73cm
Aged : 20th Century


Shan Sitting Alabaster Buddha

This Shan Sitting Buddha has excellent proportions, nice face and has been beautifully carved. Smooth lines and well balanced.
The piece has traces of lacquer and a very good patina. As usual—the back of the piece is only roughly carved. One of the better authentic examples of this often copied style.

Size : 27cmx44cm
Aged : 18th - 19th Century


Bronze Buddha, Mandalay

Beautiful gilded bronze Mandalay Buddha in the “calling the earth to witness pose”.
Excellent proportions and face which features a serene and compassionate expression and mother of pearl eye inserts. This piece is original, but has been expertly re-gilded which adds to its original beauty.

Size 32cmx42cm
Aged : 19th C
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Banchieng Potteries


Middle Period Red-on-buff Incised Carinated Jar
Spectacular large piece - wonderful design and form. Original piece but restored and re-touched. From the north east Korat plateau.
Size : 40cm x 35cm
Aged : 1100 to 700 BC

Middle Period Red-on-buff Carinated Jar
Exquisite shape - finely painted under lip. Professionally restored.
Size : 40cm x 48cm
Aged : 1100 to 700 BC

Early Period Rong-based Blackware Vessel
Excellent example of early Korat Blackware - good shape, deep complex pattern. Professionally restored.
Size : 23cm x 27cm
Aged : 2200 to 1900 BC
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